<ul class="a-unordered-list a-vertical a-spacing-mini"> <li><span class="a-list-item">The very first anamorphous lens for everyone for widescreen movies in cinema format 2.4:1</span></li> </ul>

<ul class="a-unordered-list a-vertical a-spacing-mini"> <li><span class="a-list-item">This brand new anamorphic pro lens achieves the field of view of a 26.3mm camera lens by widening the horizontal FOV up to 33%.The 35mm F1.8 Anamorphic Lens uses its 1.33x squeeze factor to widen the horizontal field of view and produce a wider, full HD 2.4:1 cinematic video without any post-cropping.</span></li> </ul>

Get up close and personal with the 1:1 magnification ratio of the full-frame compatible Sony FE 90mm f/2.8 Macro G OSS Lens. As a G series lens, it perfectly balances sharpness and bokeh and, as a macro lens, close and controlled focusing performance is prioritized with advanced AF and intuitive handling.

With its normal perspective, fast maximum aperture, and high-end design, the <b>Planar T* FE 50mm f/1.4 ZA Lens</b> from <b>Sony</b> is easy to see as a go-to standard optic for full-frame E-mount shooters.

Offering G Master performance in a compact, fast, and versatile form, the <b>Sony FE 16-35mm f/2.8 GM</b> is a wide-angle zoom covering ultra-wide to standard wide-angle fields of view. Ideal for a range of subjects, from landscape to lifestyle to architecture, the lens's advanced optics and bright f/2.8 design pair with a flexible zoom design to suit working in a variety of shooting conditions.

Clearly distinguished by its bright maximum aperture, the <b>Canon EF 50mm f/1.2L USM</b> is a normal-length L-series prime also sporting a robust physical design and advanced optical layout. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects.